Drawings

Colour steps aside for corroded black and white: Compared with Western paintings, these leave a conspicuously vacuous impression. Composition takes second place to (maximum) expression achieved with a minimum of manœuvres and contacts with the paper. Lines, strokes and planes are conceived by pencil, pen, paintbrush and washes. Like Yin Yang, straight, jagged and fluid alternate with each other and keep each other in harmony.

  • Untitled-2014
  • Untitled-2015
  • Untitled, 42x29.7cm, chinese ink on paper, 2013
  • Untitled, 42x29.7cm, chinese ink on paper, 2013
  • Untitled, 42x29.7cm, chinese ink on paper, 2013
  • Untitled
  • Untitled, 42x29.7cm, chinese ink on paper, 2014
  • Untitled, 42x29.7cm, chinese ink on paper, 2014
  • Untitled, 42x29.7cm, chinese ink on paper, 2014
  • Untitled, 42x29.7cm, chinese ink on paper, 2014
  • Untitled
  • DP-1, mixed media, 23 x 23 cm, 2014
  • Untitled, 42x29.7cm, chinese ink on paper, 2012
  • Untitled, 42x29.7cm, chinese ink on paper, 2012
  • Untitled, 42x29.7cm, chinese ink on paper, 2012
  • Untitled, 42x29.7cm, chinese ink on paper, 2012
  • Untitled, 42x29.7cm, chinese ink on paper, 2012
  • Untitled, 42x29.7cm, chinese ink on paper, 2011
  • Untitled, 42x29.7cm, chinese ink on paper, 2012
  • Untitled, 42x29.7cm, chinese ink on paper, 2012
  • DP-3
  • DP-2, mixed media, 23 x 23 cm, 2014
  • DP-1, mixed media, 23 x 23 cm, 2014